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Osi Audu
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<table style="width: 980px; height: 513px;" border="0"
cellpadding="7" cellspacing="0">
<tbody>
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<td width="39%"><br>
<br>
<div style="text-align: center;"><img style=" width:
936px; height: 448px;" alt=""
src="works/outerinner4.jpg"><br>
</div>
<br>
<small><font size="-1"><small>Outer/Inner
Head</small></font></small><small><small><span
style="color: rgb(51, 51, 51);"><span
style="font-style: italic;"></span></span></small><b
style="color: rgb(51, 51, 51);"> </b><span
style="color: rgb(51, 51, 51);">(<span
style="font-style: italic;">Ori ode/Ori inu)</span></span><b
style="color: rgb(51, 51, 51);"> </b></small><small><font
size="-1"><small>No. 4, 2011, acrylic, wool and
graphite on canvas; diptych, each panel 46x48
inches, (overall size 46x96 inches)</small></font></small><br>
<br>
</td>
</tr>
<tr>
<td style="vertical-align: top;"><span style="font-size:
10pt; font-family:
"Tahoma","sans-serif";">
VISUAL INTERACTIVE ELEMENT</span><br>
<em><span style="font-size: 10pt; font-family:
"Tahoma","sans-serif";"><br>
If you stare fixedly at the center of
the painted left panel </span></em><em><span
style="font-size: 10pt; font-family:
"Tahoma","sans-serif";">for
about 10 seconds</span></em><em><span
style="font-size: 10pt; font-family:
"Tahoma","sans-serif";"> and
then transfer gaze to the center of the right panel,
you should 'see' <br>
the complementary color of the image
just stared at. This experience of a light tint of
the complementary color will remain visible for a
few seconds.<br>
</span></em><em><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif";font-style:normal;mso-bidi-font-style:italic">
This visual experience of the after-image is my way
of referring to the intangible yet real phenomenon
which consciousness is, i.e. the inner head, called
<span style="font-style: italic;">ori inu</span> <br>
in Yoruba.</span></em><br>
<br>
Perception is the focus of my work. The
Yoruba word for the head is - <span style="font-style:
italic;">Ori, </span>which means that which sees. I
am fascinated by the complexities of how <br>
we see, especially how we see color in our
minds as well as in our eyes, i.e. the way human eyes
conjure up after-images of what has just been <br>
stared at, but in the complementary colors
of the original images. This rather curious after-image
effect raises, if not an outright contestation, at least
<br>
a speculation about representation
and reality itself.<br>
<br>
It is this phenomenology of perception that
I explore in my diptychs, whilst in my sculpture pieces
with mechanical eyes I explore the psychology of the <br>
gaze and what it means to be seen in this
age of the CCTV camera.<br>
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