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Yiddish Dance

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Jewish dance, Jewish, dance, klezmer dance, klezmer, Yiddish dance, Yiddish, Israeli dance, Israel, Jewish music, music, klezmer music, shtetl, shtetl dance, shtetl music, broiges, mitzvah dance, beggar dance, mitzvah tantz, freilach, freylekh, frel

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A resource page of Eastern European Jewish Dances

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<title>Yiddish Dance</title><meta name="description" content="A resource page of Eastern European 
Jewish Dances">
<meta name="keywords" content="Jewish dance, Jewish, dance, klezmer dance, 
klezmer, Yiddish dance, Yiddish, Israeli dance, Israel, Jewish music, music, 
klezmer music, shtetl, shtetl dance, shtetl music, broiges, mitzvah dance, 
beggar dance, mitzvah tantz, freilach, freylekh, frelach, fraelachs, frelach, 
hora, bulgar, patsh tanz, paatch dance, kosher dance, patch dance,sher, sherele, 
Russian sher, rekud, koilitch dance, koilitch, Vizonsky, Lapson"></head>

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<p align="left"><b><font color="#800080" face="Papyrus" size="5">Helen's
Yiddish Dance Page<br>
Dances of The Jews of
Eastern Europe</font></b></p>
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<font face="Arial" size="2">        </font><p align="left"><font face="Arial" size="2">&nbsp;</font></p></div>
<font face="Arial" size="2">    </font></div>
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        <a href="yizkortranslation.html"><font color="#0000ff">
        &nbsp;</font><font color="#0000ff" face="Trebuchet MS"><b>Yizkor Book 
        Translation</b></font></a><font color="#0000ff">&nbsp; </font>
        <font face="Arial"><b>Can you help?</b></font></td>
        <td rowspan="3" bgcolor="#ffd2ff" valign="top" width="302">
        <p align="left"><b><font face="Arial" size="2"><br>
        </font></b><br>
        <br>
        <font face="Arial"><b><font size="2">
        <a href="zamler.html">Become a Zamler</a> and help reveal&nbsp; new 
        information about Yiddish Dance.&nbsp; <br>
        <a href="zamler.html">Send</a> us 
        your memories.</font></b></font></p></td>
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        <a href="Researchphotos.html">
        <img src="A%20stamp.jpg" border="0" height="79" width="101"></a></td>
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        <b><font color="#800080" face="Papyrus" size="4">
        <a href="http://www.yiddishdance.com/bjcc.html">
        <img src="Jul00018.jpg" align="left" border="0" height="79" width="136"></a></font></b></td>
        <td align="right" width="150"><b><font color="#800080" face="Papyrus" size="4">
<a href="http://www.yiddishdance.com/ofdapics.html">
<img src="shining2sepia.jpg" border="0" height="79" width="150"></a></font></b></td>
        <td width="53"><a href="http://www.yiddishdance.com/moishedancer.html"><img src="e-michael%203964.jpg" border="0" height="79" width="52"></a></td>
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        <td align="left" valign="top" width="101">
        <font color="#800080" face="Arial" size="1"><b>
        <a href="Researchphotos.html">Research Cafe </a>with Judith Cohen,<br>
        Toronto,<br>
        March, 2006</b></font></td>
        <td align="left" valign="top" width="142">
        <b><font color="#800080" face="Arial" size="1"><font color="#0000ff">
        <a href="http://www.yiddishdance.com/bjcc.html">See pics</a></font> from
        <br>
        Weintraub /Winkler <br>
        Yiddish Dance Workshop</font><font color="#003399" face="Arial" size="1"><br>
</font><font color="#800080" face="Arial" size="1">Toronto, July 2005</font></b></td>
        <td align="right" width="150">
        <p align="left"><b><font color="#800080" face="Arial" size="1">
        <a href="http://www.yiddishdance.com/ofdapics.html">See Pics</a> from 
        OFDA Cafe<br>
        Toronto, May 2005<br>
&nbsp;</font></b></p></td>
        <td valign="top" width="53"><b><font color="#800080" face="Arial" size="1">
        <a href="http://www.yiddishdance.com/moishedancer.html">Moishe Dancing</a> 
        with Michael Wex????</font></b></td>
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    <td valign="top" width="154"><font face="Trebuchet MS" size="2"><b><a href="resourcepage.html">Resource
      Page</a>  <br>
    <a href="assorted.html">Dance
      Descriptions</a>&nbsp; <br>
    <a href="dance_stories.html">Dance
      Stories</a>&nbsp; <br>
    <a href="http://www.yiddishdance.com/events.html">Events</a>&nbsp;
      <br>
      <a href="http://www.yiddishdance.com/winnipeg.html">Klezzing
      in the Peg</a>&nbsp; <br>
    <a href="http://www.yiddishdance.com/transmigrations.htm">Transmigrations</a><br>
    <a href="http://www.yiddishdance.com/ofdapics.html">Gallery</a> <br>
    <a href="http://www.yiddishdance.com/tantslieder.html">Tantslieder</a></b></font><a href="yizkortranslation.html"><font color="#0000ff"><br>
    </font><b><font color="#0000ff"><font face="Trebuchet MS" size="2">Yizkor 
    Book Translation</font></font></b></a><p>&nbsp;</p></td>
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    <img src="Ashkenaz08.jpg" border="0" height="225" width="300"></td>
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            <font face="Arial" size="2"><i><b>&nbsp; &nbsp; <br>&nbsp; &nbsp; &nbsp;Mayn Freylekhs un Mayn Sher<br><br></b></i></font><font face="Arial" size="2">&nbsp; &nbsp; &nbsp;A Polka, a Hopke, a stately Quadrille<br>
&nbsp;&nbsp;&nbsp; &nbsp;Let every person dance what they will...<br>
&nbsp;&nbsp; &nbsp; For me, the Sher that my father danced<br>
&nbsp;&nbsp; &nbsp; In childhood will do...<br>
&nbsp;&nbsp;&nbsp; &nbsp;Or, in step with both generations<br>
&nbsp;&nbsp;&nbsp; &nbsp;Even a Freylekhs or two!</font><font face="Arial" size="1"><span style="vertical-align: super; font-weight: 700;">1</span></font>
            
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        <td width="159">&nbsp;</td>
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        <p align="center"><font face="Arial" size="1">Yiddish dancing at 
        Ashkenaz 2008<br>
        Photo By Dina Roginsky</font></p></td>
        <td rowspan="2" valign="top"><font face="Arial" size="1">
        <span style="vertical-align: super;">1</span>After Motl Talalyevsky, Mayn 
        Freylekhs un Mayn Sher, Chana Mlotek, "Concerning a Convicted 
        Soviet-Jewish Poet," Forverts, Sept. 19-25, 2008; translation by Joseph 
        A. Levine, "Yiddish Dance Songs," <br>
        Journal of Synagogue Music, Fall 2010 </font></td>
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        <br>
        Introduction
or Why I Decided to do This Page</span></font></b></td>
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        <td><font face="Trebuchet MS" size="2"> 
        I have been involved in international and Israeli folk dancing for a 
        long time.&nbsp;I was aware that Israeli dances sometimes had Eastern 
        European/Chasidic influence. That's where my knowledge ended. One day, 
        while I was reading about Chasidic dance as part of preparation for my 
        Canadian Dance Teacher's Association exam, I came upon&nbsp;a statement to 
        the effect that Patsh Tanz was a traditional wedding dance used to 
        welcome new brides into the fold of married women. It was like they say 
        "Columbus discovered America" for me. Did this mean that there were 
        traditional Jewish folk dances&nbsp;in Eastern Europe that were associated 
        with the wedding ritual? Thanks to the internet,&nbsp;I found out about a 
        book by Nathan Vizonsky that described a number of these dances. Thanks 
        to the Jewish-Music internet discussion group, I met some people who 
        are&nbsp;also interested in our dance heritage and referred me to other 
        references and&nbsp;experts in the field. This web page explains what I have 
        found so far.&nbsp;<br>
        <br>
        I welcome comments, links and dance descriptions from other like-minded 
        individuals. You may ask, why did this dance form almost disappear from 
        the Jewish community.&nbsp;To be honest, it did not actually disappear. 
        Chasidic Jews continue to do their own version of traditional dances 
        (but even their dances are changing e.g. women's simkhe dances). 
        However,&nbsp;for the rest of us I think it's safe to say that the dances did 
        virtually disappear&nbsp;(except for a modern rendition of the freylekhs). 
        The most tragic reason for this is the&nbsp;holocaust; the communities where 
        the dances were done were destroyed as were the people.&nbsp;Those that were 
        left assimilated into modern society. The state of Israel was 
        created,&nbsp;drawing attention to a new and vibrant Israeli folk dance 
        culture.<br>
        <br>
        The decline of klezmer music and dance in America is explored in an 
        article by Zev Feldman. He points out that klezmer music was 
        marginalized by the Jewish community and was never supported by Jewish 
        institutions such as schools and synagogues. Without this support the 
        music could not survive very long in the transplanted Jewish community. 
        Because more secular values were adopted by American Jews, the community 
        also actually chose to discard traditional dances that had previously 
        been associated with orthodox Jewish weddings.<br>
        <br>
        However, klezmer is with us again, revived and revitalized, as they say. 
        Who can sit still when listening to this fantastic music?&nbsp;You have to 
        dance. There is a beautiful simplicity to traditional dances like the 
        freylekhs, that welcomes everyone to join in, regardless of age, 
        virtuosity or experience.&nbsp;It's time to bring these dances back into our 
        lives, to celebrate together, to enjoy.&nbsp;It is a testament to the 
        resilience of the Jewish people that we are still here,&nbsp;and we are still 
        dancing.<br>
&nbsp;</font></td>
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        <td><font face="Trebuchet MS" size="2"><b><span style="background-color: rgb(255, 255, 0);">A
Cautionary Note</span></b><br>
        If you read about shtetl dances or watch old Yiddish movies, you will 
        come to realize&nbsp; that the dances usually involved a good deal of 
        improvisation; i.e. they weren't choreographed dances. You will also 
        notice that the dance descriptions in all of the&nbsp;folk dance books are 
        choreographed to suit the recreational dance setting. The dances now 
        being taught at the klezmer dance workshops tend&nbsp;to be more like the 
        shtetl versions. Hopefully there will soon be videos and books&nbsp;that 
        reflect this. Perhaps some of you out in cyber land would like to write 
        descriptions of how you do these dances in your groups.<br>
        <br>
        As with all folk dancing, the best way to learn the dances is from 
        someone who knows how to do them rather than using a cookbook approach. 
        The difficulty remains that not everyone can attend the workshops for 
        financial/geographical reasons. So, here is a place to start learning. 
        Hopefully, some day, these dance traditions will once again be passed 
        down the generations within each community.<br>
        <br>
        The dance descriptions I have found are not specific as to region or 
        shtetl. At the present time I don
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